Internationally acclaimed martial arts legend, Sammo Hung, is presently in Singapore to partake in the masterclass series organized by the Asian Film Awards Academy. The 72-year-old luminary of the Hong Kong film industry will impart his extensive wisdom during a two-hour session hosted at LASALLE College of the Arts.
The distinguished thespian, director, and producer has compiled an impressive catalogue of over 200 films over the course of his illustrious career. Trained under the esteemed Peking Opera master, Yu Jim-yuen, Hung is revered as the “big brother” of the renowned Seven Little Fortunes, a group of youthful entertainers that includes icons like Jackie Chan and Yuen Wah.
During his sojourn in Singapore, Hung provided insights and reflected on the transformations he has observed in the country since his previous visit seven years ago. He lauded the city’s cleanliness and verdant landscapes, and extolled the courteous demeanor of its populace.
Despite a career replete with physically demanding roles, Hung divulged that his devotion to the art of filmmaking has been profoundly fulfilling. He spoke fervently about his enduring ardour for the craft and his unwavering pursuit of excellence, underscoring his steadfast commitment to the highest standards of cinematic artistry.
When pressed about retirement plans, he dismissed the notion, affirming his unwavering dedication to his craft. Hung also underscored the value of perseverance, particularly for burgeoning filmmakers in the contemporary industry.
Having ventured into acting in the United States, notably starring in CBS’s Martial Law, Hung expounded on the disparities between the filmmaking processes in Hollywood and Hong Kong. He underscored the importance of time management in Hollywood and expressed a preference for Cantonese or Mandarin dialogue due to a decline in his English proficiency.
Exhibiting a sense of solidarity, Hung recently defended his longtime comrade, Jackie Chan, from ageist remarks. He addressed the issue of ageism within the entertainment industry, expressing bewilderment at the lack of reverence for elderly individuals.
Despite his iconic stature in martial arts and action cinema, Hung evinced a willingness to embrace diverse film genres, including romance and horror. He conveyed a profound admiration for comedy, accentuating the significance of spreading cheer to audiences through the art of filmmaking.
Hung’s visit to Singapore stands as a testament to his enduring legacy in the realm of cinema, and his indispensable insights persist in inspiring filmmakers and aficionados alike.